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Childhood Religion

January 21, 2015 Jason Hite
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A long time ago in a land far, far away...I got an AT-AT for Christmas. It was 1981 on Christmas Eve, and I was 5 years old when my world changed with that gift. The thing was like a robot dog almost as big as me! My aunts and uncles put their money together to get it for me. I don't think it was something I asked for and my parents couldn't afford it, but I am so grateful for that toy. A year before that Christmas, when Empire Strikes back came out in theaters, I distinctly recall my uncle Peter telling me that I was not old enough to see it. I was heart broken and I didn't even know exactly what Star Wars was yet! I just knew that the toys were amazing and other kids on the playgrounds had them and coveted mine. I remember the day I lost my C3-Po to the sandy bottom of the playground in our apartment complex. I searched for hours and every time I went back there, I searched. Star Wars was the introduction of the wonderful world of toys for me and I never really got over it. Even after I got out of my Star Wars phase, another property or "license" replaced it.  Transformers was a big one for me, too. My best friend Mike Kondis and I would put our figures together, build forts out of the packaging and create our own scenarios. The forts started to get so complex that we would tape them together with whatever we could find. I hated dismantling them so I began to build them in my very small bedroom closet. When I think back to those action figure forts I made and look at what I make now, I guess you could say, I'm out of the closet!

Have a look at the little intro video I made of the piece. The sculpture will be in the Copro Gallery's Conjoined V show, which runs January 24th - February 14, 2015. The size is approximately 59" tall x 41" wide x 10.5" deep. Come check it out in Santa Monica if you have the chance; I'd love to meet and talk about it at the opening show.

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This assemblage sculpture represents that part of my childhood along with the millions of other kids who played with and collected Star Wars toys. There are seven different room or scenes within the "cross-destroyer" I created. It started with the discovery of some vintage 80's Star Wars play sets I never saw growing up and highly detailed game pieces of every fucking character from the movies and then some. I got obsessed with getting certain figures and I didn't even have a plan at that time. I just wanted the ones I always wanted as a kid!

STAR WARS Childhood Religion
STAR WARS Childhood Religion
The Beginning
The Beginning

Not having a good plan to start is a bad idea. Here is why. In January of 2014, I thought I had it. I thought I knew what I was going to do. I used an old star I made back in 2012  to make a "Death Star" using figures and sets. It was going to be awesome, right? WRONG! It looked terrible no matter what I did with it. It was an overcomplicated shape and anything I wanted to add around it looked bad. Frustrated the hell out of me. So I tore it apart, but my kids, 6 and 3, both loved all the Star Wars stuff I was collecting. They constantly wanted to play with it. Go figure. Then one day, my son Lucian, the 6 year old, and I took just the round wood base without the star, and cobbled together the sets into a little scene. We built it at his height about 3.5 feet off the ground. It was great! The kids played with it, set up their own forts with the bits I have around my studio and played with the figures. It was so cool to watch them play with it while I worked on other projects in my little sculpture room. I didn't realize this until now, but it was like a full circle from my childhood to theirs. I'm kicking myself for not taking a picture of it!

Bits
Bits

In November of  2014, I woke up one morning, sat down in my studio and looked at something my son arranged with the figures on the set we built. A battle scene that always changed whenever he came in to play. It was then I decided to take another stab at making something with the small fortune I spent on Ebay Star Wars toys. The moment I abandoned the circular base, I finally got my head around making something that looked right. Eventually, I landed on the cross shape. The hard angles are easier to make into rooms and I have an affinity for crosses. As kids, we are told to do things and made to go to school, go to church, obey your parents, teachers and so on. Things we don't really care about are jammed down our throats in those places by adults. Star Wars was something I wanted to know all about as a kid and it never insisted on itself. It was my religion, or faith, at the time, and all of the other kids I played with felt the same. Ironically, later in life when I was in college, two classmates in some of my classes would constantly debate Star Wars, every day for months. I got so sick of hearing about it I started to hate Star Wars. That hate got me thinking deeper about the dark side of it. The Star Wars license is what really started the entertainment-based action figure business that I love. How may tons of plastic toys, derived from petroleum, are made in a foreign country like China? How are the working conditions in those factories? How many of those workers making the toys out of hazardous materials are children themselves? We Americans tend to forget where our products come from and what goes into making them, and I'm not just talking about toys. Not to mention the economic problems outsourcing our factory work and labor to foreign countries causes. I've visited factories in China. Some of them were the worst places I have ever been. The smell of chemicals gave me a serious headache after 5 min. Below is a picture I took in a factory pouring hot vinyl. It was summer, sweltering hot, and that vinyl is heated to over 200 degrees to cast. The fumes alone are toxic to inhale. How many burns did this poor man and the others around him endure in just one week and for what? So that we can buy it in a store and discard it after a year? Millions of toys are made out of vinyl. They are not all done in this method, but I ask myself these questions when I look at a piece of plastic in the stores. I don't have all the answers, but I try repurpose as many things as I can. Never buy anything new if I can help it.

OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
starwars Sketch
starwars Sketch

OK, I digressed a little. Sorry, back to how I made the piece. Just to get my bearings, I did a quick sketch of the general shape and details. In the end, I simplified the shapes a bit to make it read better as a cross. My main building material for this project was acrylic. I raided the scrap bins at my local plastics supply store and found some styrene in my garage from long ago.

Lucian Helper
Lucian Helper

Early on, I had the attention of my son Lucian who was always asking if he could help me with something. It didn't matter what it was, he wanted to try it. I was so grateful to have him around, because it needed a child's touch to make it. I delved down into my own childhood memories as much as possible to stay focused on this.

Light test
Light test

I was constantly putting on and taking off acrylic panels for fit, detailing, fit again, more detailing, fitting, adjusting, and painting.

CLose to being done
CLose to being done

Unfortunately, over the years, I have become allergic to the super glue I use. Now I have to wear a full-face respirator whenever I use it. To give it that "Star-Ship" look, I cut and glued hundreds of pieces of styrene to the acrylic, which translated into weeks of wearing a mask and gloves, closed off in my studio. The worst part of this was that I couldn't let Lucian help me. He was heartbroken and even asked if he could get a mask like mine for Christmas so he could glue, too! I couldn't even imagine it. How ironic. Since then, I have decided not to use super glue anymore. For parts, I used some of my own old Star Wars toy pieces, used model tree parts, and cast resin parts from old Star Wars model kits, specifically the Millennium Falcon and some other old silicone molds given to me by my friend Clint. My good friend Mike even loaned me his 3-foot-long Star Destroyer resin model kit. Looking at that REALLY helped me with the exterior textures of my "Cross Destroyer". I also attached return hinges to make clear window doors over each of the rooms except for the hanger in the center.

Lucian Helper2
Lucian Helper2

Lucian and I are attaching an additional base to the back of the piece for added support.

Painting
Painting

Primer is done! It smelled up my studio for days!

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Painting2

The first wash is applied to the exterior panels. I made 18 acrylic panels for this sculpture. One was a total redo.

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During construction, I constantly toyed with the idea of gluing vs not gluing down the figures. Then, I had breakfast with John and Brenda Romero when they purchased my "Icons of DOOM" sculpture while I was in the middle of making this. During that, Brenda explained a board game she was developing in detail. I came away with a new perspective on art and games. Since I was already using game piece Star Wars figures, I started thinking about making it into a full-fledged board game! When I mentioned it to Brenda, she told me she would like to collaborate! We have not done anything yet, but I am so excited to see what we can make out of the 7 levels in this odd Star Wars shrine of sorts! Figure-based board games are my favorite to play with a group of people.

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At the top of the "Cross Destroyer" is the Emperor's chamber.  It has a working video monitor behind him that runs footage from all the space ship scenes from the original 3 films.

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Directly below the emperor's chambers, Luke and Vader battle in the Carbon-Freezing chamber play set. This was fun installing the LED's to get that hot lighting effect.

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STAR-WARS-detail-Hanger2_sm
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In the very center of the ship is Hanger bay 327. Here a battle rages between the Rebels and Storm-Troopers. Somewhere in this picture you can also see a Star Wars wind up music box that plays the main theme. The Tie fighter is a store bought model Lucian and I built together. The platform everyone is fighting on is from some part of a fiber optic network box I think my uncle Billy gave to me.

STAR-WARS-detail-Deathstar_sm
STAR-WARS-detail-Deathstar_sm

To the right of the hanger is the Death Star play set with Detention Block AA-23 and the garbage compactor below with Chewbacca inside. Although I must admit, the garbage compactor reminds me of an outhouse, with Chewie howling for toilet paper.

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STAR-WARS-detail-Hoth2_sm
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To the left of the Hanger is my rendition of the Echo Rebel base on Hoth. With the exception of the figures and vehicles, this is all scratch built. The medical lab with Bacca tank was the very first thing I built. I love that entire scene in Empire.

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Below the Hanger sits Jabba The Hut's palace. Jabba is a Christmas tree ornament with a neat sound recording. Han Solo in carbonite is resin cast from my ice-cube mold. My favorite part of this little scene is the screen where you can see the room below. This screen is typically used in Catholic confessional booths.

Max-Rebo
Max-Rebo
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And of course, below, Jabba is the Rancor pit! For the stone cave, I used model railroad scenery rocks cast from rubber molds. At first, I was going to use real stones, but hydrocal plaster tends to be lighter and the stones are designed for that smaller scale look. The Rancor is a game piece. He was tricky to find, expensive to get, and not the best sculpt in my opinion but time was not on my side with this sculpture. Someday, I might have to sculpt my own.

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Jason Hite's Childhood Religion
Jason Hite's Childhood Religion

All in all, I think it took me about a month to create from start-to-finish once I got the "Cross-Destroyer" idea. The best part is, the leftover toys I didn't fit into the sculpture will go to my boys to play with. Who knows, maybe we will make another one someday. Hope you like it and you enjoyed reading about my journey to build it!

If you've read through my very long-winded post, thank you! I've attached 5 free desktop image downloads you can use for your computer. Comment below this post if there's another piece I've done that you would like to see a desktop image for.

ChildhoodReligion_Desktop_Hoth
ChildhoodReligion_Desktop_Hoth
ChildhoodReligion_Desktop_Emperor
ChildhoodReligion_Desktop_Emperor
ChildhoodReligion_Desktop_Hanger
ChildhoodReligion_Desktop_Hanger
ChildhoodReligion_Desktop_Jabba
ChildhoodReligion_Desktop_Jabba
ChildhoodReligion_Desktop_Carbon
ChildhoodReligion_Desktop_Carbon

Check back to my site soon, as I'll have a video up on the sculpture.

In Assemblage, Blog, Featured, Slideshow
2 Comments

Making The Cosmic Void Light Sculpture

October 5, 2014 Jason Hite
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This piece represents the culmination of a lot of things happening in my life.  Technically, it was an extremely challenging sculpture that took me a little longer than I anticipated. The mold alone was a real head scratchier. I thought about it for weeks and I didn't quite figure it out until I was making it! All of the light sculptures I created before this one had to be rigged with lights, after creation. With this piece, I actually sculpted in the brackets behind it to fit a specific lighting set, meaning I can make multiples with considerably less light fabrication time. The piece started out very different. As I progressed it slowly changed, but the initial block out process was quick and a lot of fun.

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At one point I wanted to make little pods for miniature people I sculpted a while back. I later changed my mind.

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Below is a shot of the finished clay sculpture. Can you find the chicken bones?

Finished Clay

After the front half of the sculpture was molded, I pulled out the original clay and created a quarter inch thickness of clay inside it to create a the back of the piece. This is where things started to get tricky. The pour spout was a brain teaser, but I deiced that it needed to be at the bottom of the piece. This allows it to be filled from a vertical position, bottom to top without making as many bubbles. You can also see my vents at the top of the piece. These allow the air to escape as the resin flows inside.

Back clay

Here is a shot of the finished mold.

Mold open

I used a skull underneath the central face and allowed enough space for it to fit inside of the mold. This allowed me to insert the skull inside before I cast the finished piece.

A Little Head inside

Finally, it would not have been possible to make this the way I did without my new investment; a 10 gallon Pressure Pot tank. This tank greatly helps to eliminate air bubbles, ESPECIALLY FOR CASTING TRANSLUCENT MATERIAL. The mold fits SNUGLY into that tank. If it were any larger,this would not have worked. Below is a shot of the mold in the pressure pot. Tight fit!

Pressure Pot Mold

The first casting is born!! Check out how you can see the teeth from the skull underneath the translucent resin!

First Casting

Painting this sucker is a whole lot of fun! BUT before that, I attached my LED light strips to the inside of the piece. As I mentioned before, I sculpted in special brackets on the inside of the piece to hold some light strips I purchased. Below, it is all lit up without paint. The red bits are supposed to be veins I made using pieces of bright red yearn and 5 min epoxy glue. It wasn't quite what I was going for but it adds depth.

All lit up

My first paint attempt turned out pretty good. I used DEKA stained glass paints that have to be special ordered from overseas. If you ever happen to get you hands on some, USE A RESPIRATOR MASK, that stuff stinks! Anyway, the goal here is to give it that glow from within look without blowing out all of the detail. It's quite tricky to achieve and I'm looking forward to painting a few more. Below are some shots with the lights on and lights off. The appearance also changes greatly due to the mount of surface light you have on the piece. The images below have a lot of surface light. This piece will be on display and for sale at Crated At The Port of Los Angeles in association with the HP Love Craft Film-Festival and Cuthluhu Con 2014 until the end of October.

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THE_COSMIC_VOID_lights_off3Q

This green version below is for the Auguste Clown Gallery in Australia, my first international show! I call this one "Incorporeal." They are doing a Halloween group show and I am so proud to have been invited to participate.

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I wasn't sure if my plug in lights would work in Australia, due to their sockets being different, so this one glows in the dark! Here are shots of what it looks like in darkness with a black light charge.

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This last one pictured below is still a WIP for a show at the Copro Gallery October 18th -November 8th. I'm going red, and in this stage all I seem to think about is red gummy bears! Wish me luck!

Gummy Art

 

 

 

In Blog, Featured, Sculptures, Slideshow
1 Comment

Behind the Veil

January 6, 2014 Jason Hite
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Conjoined IV I'm super excited about the upcoming CONJOINED IV show! Im honored to have Chet Zar and the Copro Gallery using my sculpture "Behind The Veil" for promoting the show. This prompted me in having the piece created in chrome plated BRONZE by Grant Standard at Black Hills Bronze! I met Grant at Conjoined II back in 2012 and have been itching to do something in metal with him and his talented crew.  This is my very first sculpture to be made in bronze and I can't wait to see it on the wall at the show. Below are a few shots of the bronze process.

After completing, my sculpture called "Bliss" in Monster Makers Clay, I striped down the clay to reveal the skull I placed in at the start of this project. Doing this, insured that I would have the correct registration and depth for when I merge these two pieces into one. This will be done in the near future so stay tuned!

Half and Half

Above is the destruction of 'Bliss" and the beginning of "Behind the Veil".

Sculpting the Veil

Here I am putting the finishing touches on the sculpt, it took quite a bit of time to get everything just right and if I look too close at it I'm still not 100% happy...maybe 90%?

photo 2

This is a shot of the outer fiberglass jacket created to hold the silicone in place.

Mold

Here is a pristine shot of the inside of the mold when it arrived at Black Hills bronze in north Dakota and below are images of the wax process for bronze.

Wax Pour

I love this shot of the in-process wax coating of the mold taken by Grant Standard, it looks so surreal. We are looking and a concave image by our minds automatically invert it so that it looks convex!

Wax

The wax is born from my silicone mold, to create an investment mold for metal.

Ceramic Shell

This is the ceramic shell in process over the wax. I believe this is the first layer of the investment mold. Note the spews at the bottom of the piece. Those will serve as air vents and the pouring spout.

Investment mold

Here is the completed investment mold.  Once the wax is burned out of the mold it is ready for the HOT METAL to be poured!!!!

The Pour

I love my friend Mike Biasi's comment he made on this image, " Oh the joys of standing in front of a burnout kiln near the crucible while wearing heavy protective gear. Even if its cold outside, those guys are roasting..."

Hot Mold

 

Red Hot MOLD!

Pieces of the shell

It's strange to see these broken mold pieces and know exactly what parts of the sculpture they came from.

First Look at Metal

Here is a first look at the metal after Grant and his crew cleaned it up a bit. She is a true beauty!

Chromed

And finally here she is back from chrome plating!! WOW! I cant wait to see this in person. So Excited!!!

Finished piece

DONE! I'm so pleased to have had Grant Standard and his crew do this for me. They did an AMAZING job and I cannot thank them enough. I'm already planing out my next metal piece for next year!

In Blog, Exhibitions, Sculptures, Slideshow
3 Comments

The Virgin

April 19, 2013 Jason Hite

The Virgin Assemblage The Virgin Assemblage

The Virgin Assemblage

36" x 30" x 11" Mixed Media Sculpture 104 LED and 2 mini halogen lights Part of Jason Hite's Mechanical Christ Series

A human female typically has about 400,000 follicles/potential eggs, all formed before birth. Only several hundred (about 480) of these “eggs” will actually ever be released during her reproductive years. This 36" x 30" x 11" sculpture with 106 LED's, represents a biomechanical machine that removes those eggs without violating the vagina of its female host. This host experiences intense pleasure during this procedure until every last egg within her, are removed. It then fertilizes them and grows fetuses by the tens of thousands. For what purpose? Only you can surmise that. -JHite 5/23/13

Jason talks about how he created The Virgin.

A beautiful video that gives you a 360 view of The Virgin.

In Assemblage, Slideshow
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