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The Spirit World

February 4, 2021 Jason Hite
The IMMORTAL COTY SPACE.jpg

After over 6 years, my floating city sculpture is complete. It was a long journey that started back in 2013 with a small sketch of my wife Erica. Bellow are some benchmarks along my journey to get this sculpture completed. It goes backward in time….

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Above are the LED lights on the RIGHT WING. To do this I first cut out the shape of the piece on a 1/8” dry erase board. This was handy because it was already white and relatively inexpensive for a sheet. After that, I put the sculpture on top of the cut out and used a brush with black paint to poke though the dozens of square peg holes in the sculpture. After removing the sculpture I was left with markings of where my light needed to be. The LED lights are a one long USB strip with a remote that can be switched to a variety of different colors. I drilled holes in the board and zip tied the strip down between individual LEDs to put them exactly where I wanted them to be. It was tedious work but the results are awesome! This same method was repeated on the LEFT WING and CENTER GODDESS pieces.

The center piece light board with pre-drilled holes. The red circled areas are where I have the mounting plates to a birch backing board.

The center piece light board with pre-drilled holes. The red circled areas are where I have the mounting plates to a birch backing board.

FIRST LIGHT TEST!

FIRST LIGHT TEST!

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After I wired the three main sections I had to fill in the back to cover up the birch board everything is attached to. To do this, I used a variety of different pieces form other sculptures intended for this series. I started with the round tower piece, and my dice tower which I cut in half and stacked to make them taller. See images above. This was like fitting a jigsaw puzzle together with pieces the were not meant to fit. After a lot of trimming and refitting I got it just right. Once that was done I did the same method of lighting I did on the 3 center pieces. Each section of the sculpture has it’s own light strip that can be easily programed with different modes or colors, but to my eyes, I tend to go with all of them the same colors. Usually red of light blue.

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This is the left wing in my "Spirit World" sculpture. For the build up, I hot glued polystyrene sheets on my sculpting board in the shapes I wanted and poured melted Monster clay into my makeshift mold. After the first layer of clay cooled I did two more layers on top of each other using this wall method. When it totally cooled, I carefully removed all the styrene walls. Enabled me to make nearly perfect angles of my structure to sculpt on saving me a ton of time. Designed this during a fun Halloween Tradeshow trip to New Orleans in my small travel sketchbook back in 2016. Image of this is further down. The thread.

Carving out the bottom was my first thought but I eventually filled it back in to make it easier to cast. See the finished image below.

Carving out the bottom was my first thought but I eventually filled it back in to make it easier to cast. See the finished image below.

I used Styrene strips to make the block up of the sculpture. This worked fantastically! It felt like making a layered clay cake!

I used Styrene strips to make the block up of the sculpture. This worked fantastically! It felt like making a layered clay cake!

The top section of the sculpture and some bottom pieces were removed to make it smaller to mold.

The top section of the sculpture and some bottom pieces were removed to make it smaller to mold.

The finished bottom, note how the teeth are filled in stretching all the way to the bottom of the board. This is to make the molding and casting process less complicated.

The finished bottom, note how the teeth are filled in stretching all the way to the bottom of the board. This is to make the molding and casting process less complicated.

Molding the left wing of the "Spirit World" was a pretty straight forward silicone matrix mold. Carefully, I cut the top portion off to be molded separately as well as some bottom bits. Made the jacket using epoxy and fiberglass cloth. However, the silicone I was using went bad and kicked on me within 15 minuets before I could get it into the mold! Removing the bad silicone from my clay sculpture was an absolute nightmare. It destroyed tons of detail I had to re-sculpt. Not to mention, I was under the gun to mold this and another piece. We were moving across the country in just a few weeks and I had not packed a thing yet! After a lot of re-sculpting detail and a new batch of silicone, the piece came out perfect. Huge thanks to Richard at https://motionpicturefx.com who saved my ass shipping out the silicone I desperately needed.

Fiberglass epoxy case mold jacket. I’m too old for heavy plaster jackets….

Fiberglass epoxy case mold jacket. I’m too old for heavy plaster jackets….

Silicone FAIL!

Silicone FAIL!

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Above are images of the finished sculpted base designed to hold up the RIGHT WING of the sculpture on a tabletop. I like having an option to hold up the wing on a table for playing with.

7/25/16

I have been hard at work on finishing the first half of the game environment. As of this writing, the sculpt is complete and the mold is done and waiting for me to open! My brother Jonathan has been creating the cards content that will basically run the narrative of the game. We will have a prototype ready to play soon! I'm very excited to start sculpting the other  side of the environment and make some miniature figures!!

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Above is an angled top view of the completed left half of the environment sculpted in Monster Clay. The brass tubing will serve as my vents in the case mold. 

Lucian and I are cleaning out the clay from the inside of the epoxy case mold jacket. I recently switched from using fiberglass to epoxy because of the VOC's (the toxicity and smell). All the clay is cleaned out, put into the two buckets you see then weighed. The weight of clay will determine how much silicone I will need to fill the mold. Clay was about 7500 grams. This figure is multiplied by .75 and give me a total weight of 5625, thanks Dick Smith!!  I always add an extra 300-500 grams to fill the pour tube and any clay that was pressure washed out of the mold. 

The case mold has just been filled with almost 7000 grams of silicone! The drywall screws are plugging my air holes. The are gently put in place after the hole bleeds out to ensure no air is trapped in the mold. All of these screws remind me of some kind of strange, tortured Hellraiser Pinhead thing...

Jason's Soul Scraper

All of my life, I have been an avid gamer. It started with a simple dice game my grandfather taught me when I was 4 or 5 years old. Then it gradually became an obsession. Over the years, I've played hundreds of games, video and board. I have a special fondness for playing miniature board games. There is something about moving characters on a map and encountering the unknown that really clicks with me. In games we can image any world presented to us, live in that place, conquer our fears, get the treasure and even experience a major ass kicking from a family member or friend, all in good fun. I'm always on the look out for new and innovative board games on Kickstarter and often spend hours in game stores looking at everything on the shelves or in display cases. Recently, I realized that the latest gallery art sculpture I am working on called "The Spirit World" was in fact, turning into a miniature game because of the way I was subconsciously making it!  A deep seeded desire to fuse my intricate art sculptures with my obsession of board games finally broke free of my subconscious and will not let me go until it comes to fruition! So what is this game about? Read on!

 

The above sculpture was sort of my practice for the surfacing detail I wanted to use on the terrain of this game environment. I was very inspired by the surreal painting of Zdzislaw Beksinski. To me, his work feels like something from the afterlife …

The above sculpture was sort of my practice for the surfacing detail I wanted to use on the terrain of this game environment. I was very inspired by the surreal painting of Zdzislaw Beksinski. To me, his work feels like something from the afterlife or a parallel plane of existance.

Once my little Beksinski Building was complete, I made a mold, and further experimented with different color pigmented, hollow castings. In each, I put a single LED tealight to see how the light shined through.

Once my little Beksinski Building was complete, I made a mold, and further experimented with different color pigmented, hollow castings. In each, I put a single LED tealight to see how the light shined through.

The odd thing was that the lighting that worked the best was the plain white un-pigmented, unpainted resin. The result is the first image at the top of this post. All the translucent pigmented resin did not refract the light within the hollow space …

The odd thing was that the lighting that worked the best was the plain white un-pigmented, unpainted resin. The result is the first image at the top of this post. All the translucent pigmented resin did not refract the light within the hollow space enough to carry it up the building.

Sometimes it's the simple answer.

Sometimes it's the simple answer.

Now that I had experimented with the surface texture, casting thicknesses, and pigments it was time to start diving into the game environment. Below is a work in progress of the left wing of the sculpture made in Monster Makers Clay.

The very beginning of the sculpture.

The very beginning of the sculpture.

Close to being finished with the left side here.

Above you can see a little 28mm ghost figure I threw in the photo to give you an idea of scale. The game environment will be about 3 feet tall and 3 -4 feet wide and will be able to hang on your wall as legitimate, internally lit ART when you are not playing it.

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Above is a quick Photoshop mock up of the Spirit World game environment. My partner on this journey is my brother Jonathan Hite who also shares the same love for gaming as I do. There is still a lot of work we need to do and I plan to change the right wing to resemble the sketch below. It is a sister but not a twin. In this game players will traverse a spirit realm or astral plane in search of the lost soul of a little girl.  They will traverse the game environment on a horizontal and vertical plane, encountering spirits, demons, and other worldly beings of the spirit realm. I'll release more information on the game as we progress. I can't wait to show you what we have in store for this game!!!

The right side will be made to look like a surreal brick and mortar structure.

The right side will be made to look like a surreal brick and mortar structure.

I'll leave you with these WIP's of the female center figure. We are not sure if we will include her in the game for obvious nudity reasons but this is also art and, well, we have all seen beautiful nude women in art! Let me know if you think she should be a part of the game environment in the comments below. Oh and check back on this page from time to time to see more updates as Jonny and I progress!

-Jason A. Hite 4/15/16

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This journey started with a simple sketch inspired by my wife, Erica. I have changed the look drastically but this still remains my original inspiration and basic silhouette.

This journey started with a simple sketch inspired by my wife, Erica. I have changed the look drastically but this still remains my original inspiration and basic silhouette.

In Assemblage Tags sculpture, game, nude, art, clay, miniature
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Childhood Religion

January 21, 2015 Jason Hite
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A long time ago in a land far, far away...I got an AT-AT for Christmas. It was 1981 on Christmas Eve, and I was 5 years old when my world changed with that gift. The thing was like a robot dog almost as big as me! My aunts and uncles put their money together to get it for me. I don't think it was something I asked for and my parents couldn't afford it, but I am so grateful for that toy. A year before that Christmas, when Empire Strikes back came out in theaters, I distinctly recall my uncle Peter telling me that I was not old enough to see it. I was heart broken and I didn't even know exactly what Star Wars was yet! I just knew that the toys were amazing and other kids on the playgrounds had them and coveted mine. I remember the day I lost my C3-Po to the sandy bottom of the playground in our apartment complex. I searched for hours and every time I went back there, I searched. Star Wars was the introduction of the wonderful world of toys for me and I never really got over it. Even after I got out of my Star Wars phase, another property or "license" replaced it.  Transformers was a big one for me, too. My best friend Mike Kondis and I would put our figures together, build forts out of the packaging and create our own scenarios. The forts started to get so complex that we would tape them together with whatever we could find. I hated dismantling them so I began to build them in my very small bedroom closet. When I think back to those action figure forts I made and look at what I make now, I guess you could say, I'm out of the closet!

Have a look at the little intro video I made of the piece. The sculpture will be in the Copro Gallery's Conjoined V show, which runs January 24th - February 14, 2015. The size is approximately 59" tall x 41" wide x 10.5" deep. Come check it out in Santa Monica if you have the chance; I'd love to meet and talk about it at the opening show.

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This assemblage sculpture represents that part of my childhood along with the millions of other kids who played with and collected Star Wars toys. There are seven different room or scenes within the "cross-destroyer" I created. It started with the discovery of some vintage 80's Star Wars play sets I never saw growing up and highly detailed game pieces of every fucking character from the movies and then some. I got obsessed with getting certain figures and I didn't even have a plan at that time. I just wanted the ones I always wanted as a kid!

STAR WARS Childhood Religion
STAR WARS Childhood Religion
The Beginning
The Beginning

Not having a good plan to start is a bad idea. Here is why. In January of 2014, I thought I had it. I thought I knew what I was going to do. I used an old star I made back in 2012  to make a "Death Star" using figures and sets. It was going to be awesome, right? WRONG! It looked terrible no matter what I did with it. It was an overcomplicated shape and anything I wanted to add around it looked bad. Frustrated the hell out of me. So I tore it apart, but my kids, 6 and 3, both loved all the Star Wars stuff I was collecting. They constantly wanted to play with it. Go figure. Then one day, my son Lucian, the 6 year old, and I took just the round wood base without the star, and cobbled together the sets into a little scene. We built it at his height about 3.5 feet off the ground. It was great! The kids played with it, set up their own forts with the bits I have around my studio and played with the figures. It was so cool to watch them play with it while I worked on other projects in my little sculpture room. I didn't realize this until now, but it was like a full circle from my childhood to theirs. I'm kicking myself for not taking a picture of it!

Bits
Bits

In November of  2014, I woke up one morning, sat down in my studio and looked at something my son arranged with the figures on the set we built. A battle scene that always changed whenever he came in to play. It was then I decided to take another stab at making something with the small fortune I spent on Ebay Star Wars toys. The moment I abandoned the circular base, I finally got my head around making something that looked right. Eventually, I landed on the cross shape. The hard angles are easier to make into rooms and I have an affinity for crosses. As kids, we are told to do things and made to go to school, go to church, obey your parents, teachers and so on. Things we don't really care about are jammed down our throats in those places by adults. Star Wars was something I wanted to know all about as a kid and it never insisted on itself. It was my religion, or faith, at the time, and all of the other kids I played with felt the same. Ironically, later in life when I was in college, two classmates in some of my classes would constantly debate Star Wars, every day for months. I got so sick of hearing about it I started to hate Star Wars. That hate got me thinking deeper about the dark side of it. The Star Wars license is what really started the entertainment-based action figure business that I love. How may tons of plastic toys, derived from petroleum, are made in a foreign country like China? How are the working conditions in those factories? How many of those workers making the toys out of hazardous materials are children themselves? We Americans tend to forget where our products come from and what goes into making them, and I'm not just talking about toys. Not to mention the economic problems outsourcing our factory work and labor to foreign countries causes. I've visited factories in China. Some of them were the worst places I have ever been. The smell of chemicals gave me a serious headache after 5 min. Below is a picture I took in a factory pouring hot vinyl. It was summer, sweltering hot, and that vinyl is heated to over 200 degrees to cast. The fumes alone are toxic to inhale. How many burns did this poor man and the others around him endure in just one week and for what? So that we can buy it in a store and discard it after a year? Millions of toys are made out of vinyl. They are not all done in this method, but I ask myself these questions when I look at a piece of plastic in the stores. I don't have all the answers, but I try repurpose as many things as I can. Never buy anything new if I can help it.

OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
starwars Sketch
starwars Sketch

OK, I digressed a little. Sorry, back to how I made the piece. Just to get my bearings, I did a quick sketch of the general shape and details. In the end, I simplified the shapes a bit to make it read better as a cross. My main building material for this project was acrylic. I raided the scrap bins at my local plastics supply store and found some styrene in my garage from long ago.

Lucian Helper
Lucian Helper

Early on, I had the attention of my son Lucian who was always asking if he could help me with something. It didn't matter what it was, he wanted to try it. I was so grateful to have him around, because it needed a child's touch to make it. I delved down into my own childhood memories as much as possible to stay focused on this.

Light test
Light test

I was constantly putting on and taking off acrylic panels for fit, detailing, fit again, more detailing, fitting, adjusting, and painting.

CLose to being done
CLose to being done

Unfortunately, over the years, I have become allergic to the super glue I use. Now I have to wear a full-face respirator whenever I use it. To give it that "Star-Ship" look, I cut and glued hundreds of pieces of styrene to the acrylic, which translated into weeks of wearing a mask and gloves, closed off in my studio. The worst part of this was that I couldn't let Lucian help me. He was heartbroken and even asked if he could get a mask like mine for Christmas so he could glue, too! I couldn't even imagine it. How ironic. Since then, I have decided not to use super glue anymore. For parts, I used some of my own old Star Wars toy pieces, used model tree parts, and cast resin parts from old Star Wars model kits, specifically the Millennium Falcon and some other old silicone molds given to me by my friend Clint. My good friend Mike even loaned me his 3-foot-long Star Destroyer resin model kit. Looking at that REALLY helped me with the exterior textures of my "Cross Destroyer". I also attached return hinges to make clear window doors over each of the rooms except for the hanger in the center.

Lucian Helper2
Lucian Helper2

Lucian and I are attaching an additional base to the back of the piece for added support.

Painting
Painting

Primer is done! It smelled up my studio for days!

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Painting2

The first wash is applied to the exterior panels. I made 18 acrylic panels for this sculpture. One was a total redo.

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During construction, I constantly toyed with the idea of gluing vs not gluing down the figures. Then, I had breakfast with John and Brenda Romero when they purchased my "Icons of DOOM" sculpture while I was in the middle of making this. During that, Brenda explained a board game she was developing in detail. I came away with a new perspective on art and games. Since I was already using game piece Star Wars figures, I started thinking about making it into a full-fledged board game! When I mentioned it to Brenda, she told me she would like to collaborate! We have not done anything yet, but I am so excited to see what we can make out of the 7 levels in this odd Star Wars shrine of sorts! Figure-based board games are my favorite to play with a group of people.

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At the top of the "Cross Destroyer" is the Emperor's chamber.  It has a working video monitor behind him that runs footage from all the space ship scenes from the original 3 films.

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Directly below the emperor's chambers, Luke and Vader battle in the Carbon-Freezing chamber play set. This was fun installing the LED's to get that hot lighting effect.

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In the very center of the ship is Hanger bay 327. Here a battle rages between the Rebels and Storm-Troopers. Somewhere in this picture you can also see a Star Wars wind up music box that plays the main theme. The Tie fighter is a store bought model Lucian and I built together. The platform everyone is fighting on is from some part of a fiber optic network box I think my uncle Billy gave to me.

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STAR-WARS-detail-Deathstar_sm

To the right of the hanger is the Death Star play set with Detention Block AA-23 and the garbage compactor below with Chewbacca inside. Although I must admit, the garbage compactor reminds me of an outhouse, with Chewie howling for toilet paper.

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STAR-WARS-detail-Hoth2_sm
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To the left of the Hanger is my rendition of the Echo Rebel base on Hoth. With the exception of the figures and vehicles, this is all scratch built. The medical lab with Bacca tank was the very first thing I built. I love that entire scene in Empire.

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Below the Hanger sits Jabba The Hut's palace. Jabba is a Christmas tree ornament with a neat sound recording. Han Solo in carbonite is resin cast from my ice-cube mold. My favorite part of this little scene is the screen where you can see the room below. This screen is typically used in Catholic confessional booths.

Max-Rebo
Max-Rebo
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And of course, below, Jabba is the Rancor pit! For the stone cave, I used model railroad scenery rocks cast from rubber molds. At first, I was going to use real stones, but hydrocal plaster tends to be lighter and the stones are designed for that smaller scale look. The Rancor is a game piece. He was tricky to find, expensive to get, and not the best sculpt in my opinion but time was not on my side with this sculpture. Someday, I might have to sculpt my own.

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Jason Hite's Childhood Religion
Jason Hite's Childhood Religion

All in all, I think it took me about a month to create from start-to-finish once I got the "Cross-Destroyer" idea. The best part is, the leftover toys I didn't fit into the sculpture will go to my boys to play with. Who knows, maybe we will make another one someday. Hope you like it and you enjoyed reading about my journey to build it!

If you've read through my very long-winded post, thank you! I've attached 5 free desktop image downloads you can use for your computer. Comment below this post if there's another piece I've done that you would like to see a desktop image for.

ChildhoodReligion_Desktop_Hoth
ChildhoodReligion_Desktop_Hoth
ChildhoodReligion_Desktop_Emperor
ChildhoodReligion_Desktop_Emperor
ChildhoodReligion_Desktop_Hanger
ChildhoodReligion_Desktop_Hanger
ChildhoodReligion_Desktop_Jabba
ChildhoodReligion_Desktop_Jabba
ChildhoodReligion_Desktop_Carbon
ChildhoodReligion_Desktop_Carbon

Check back to my site soon, as I'll have a video up on the sculpture.

In Assemblage, Blog, Featured, Slideshow
2 Comments

The Virgin

April 19, 2013 Jason Hite

The Virgin Assemblage The Virgin Assemblage

The Virgin Assemblage

36" x 30" x 11" Mixed Media Sculpture 104 LED and 2 mini halogen lights Part of Jason Hite's Mechanical Christ Series

A human female typically has about 400,000 follicles/potential eggs, all formed before birth. Only several hundred (about 480) of these “eggs” will actually ever be released during her reproductive years. This 36" x 30" x 11" sculpture with 106 LED's, represents a biomechanical machine that removes those eggs without violating the vagina of its female host. This host experiences intense pleasure during this procedure until every last egg within her, are removed. It then fertilizes them and grows fetuses by the tens of thousands. For what purpose? Only you can surmise that. -JHite 5/23/13

Jason talks about how he created The Virgin.

A beautiful video that gives you a 360 view of The Virgin.

In Assemblage, Slideshow
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Immaculate Contraption

March 3, 2013 Jason Hite
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Photo of Immaculate Contraption Sculpture Front View 28" x 21" x 9" This Sculpture is part of Jason Hite's Mechanical Christ Series

Photo of Immaculate Contraption Assemblage Three Quarter View

In Assemblage
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